Catalogue list by genre
UNISONO III
for voice, cello and computer
(2020) - 6'
(2020) - 6'
commissioned by Inbal Segev
as part of the 20 for 2020 Recording Project
as part of the 20 for 2020 Recording Project
mono-drum
for solo Bass Drum
(2020) - ca 7-8’
(2020) - ca 7-8’
commissioned by Ensemble InterContemporain and Théâtre du Châtelet
Cleopatra's Songs
for voice and instrumental ensemble
text by William Shakespeare
Mother Lode I-III
chamber works cycle
(2017) - ca 21'
commissioned by Polish National Radio Symphony Orchestra
Bildbeschreibung
opera-form
for two voices, instrumental ensemble and electronics
text by Heiner Müller
(2016) - ca 100'
PWM 2018
commissioned by Klangforum Wien and Adam Mickiewicz Institute
(2016) - ca 100'
PWM 2018
commissioned by Klangforum Wien and Adam Mickiewicz Institute
In the Shade of an Unshed Tear
Double Battery
for instrumental ensemble
ossia: with augmented sound space
ossia: with augmented sound space
(2016) - ca 20'
commissioned by Ensemble InterContemporain
The Alphabet of the Ars Brevis
for two male voices
(2016) - ca 4'
commissioned by Musikprotokoll
Chapter 13
for soprano and instrumental ensemble
text by Antoine de Saint-Exupéry
(2015) - 9’
commissioned by Los Angeles Philharmonic
Madrigals
for five voices
(2015) - 10’
commissioned by Westdeutschen Rundfunks
for Neue Vocalsolisten
Violin Concerto
for violin and chamber orchestra
(2014) - 13’
commissioned by Collections - Composers’ Commissions of Institute of Music and Dance
Where to
for instrumental ensemble
(2014) - 20’
commissioned by TenFourteen LLC, an arm of the Jebediah Foundation
for San Francisco Contemporary Music Players
Cadenza
for solo violin
(2013/2014) - ca 5'30"
IN
for large symphony orchestra
(2013) - 12’30
commissioned by Hannoversche Gesellschaft für Neue Musik
for Staatsoper Hannover
Lullaby
for mixed choir
to poetry by William Shakespeare
(2013) - 7’30
commissioned by Wratislavia Cantans Festival
In Between the Ebb of Thoughts and the Flow of Sleep
for voice, piano and string orchestra
to poetry by Tadeusz Dąbrowski
(2013) - 14’30
Percussion Store
for percussion ensemble and orchestra
(2012) - ca 15’
commissioned by The Karol Szymanowski Philharmonic in Cracow
What is the word
for voice and instrumental ensemble
texy by Samuel Beckett
(2012) - ca 10’
commissioned by Klangforum Wien
Wounded Angel
for double bell trumpet
(2009/2012) - ca 8’
Labyrinth
for voice and instrumental ensemble
text by Wisława Szymborska
(2011) - ca 10’
commissioned by Polish Institute in Tel Aviv
The Streets of a Human City
for instrumental ensemble
(2011) - 16’
commissioned by Deutschlandfunk
for Warsaw Autumn Festival
Aphorisms on Miłosz
for soprano and instrumental ensemble
text by Czesław Miłosz
(2011) - 20’
commissioned by Sacrum Profanum Festival
Suite
for percussion trio
(2011) - 14’
Oresteia
dramopera for soloists, actors, choir, percussion and electronics
(2011) - ca 80’
commissioned by Teatr Wielki - National Opera in Warsaw
Not I
Symphony No. 3
for double bell trumpet and symphony orchestra
(2009) - ca 25'
scholarship of Rockefeller Foundation
Between
opera/ballet
for voice, electronics and dancers
(2008) - 51'
of Songs
for soprano, cello, choir and orchestra
(2007) - ca 40'
commissioned by City of Wroclaw
for Wratislavia Cantans Festival
Cascando
for voice, flute, clarinet, violin and cello
text by Samuel Beckett
(2007) - ca 15'
commissioned by Seattle Chamber Players
Maximum Load
for percussion and computer
(2006) - 14'
String Quartet No. 1
for four cellos and computer
(2006) – ca 12’
commissioned by Ultraschall Festival in Berlin
Symphony No. 2
for 77 performers
(2005) - ca 14’
commissioned by Deutsche Welle
Concerto grosso
for recorder, baroque violin, harpsichord and choir
text by Miron Białoszewski
(2004) – ca 18’
Stories
for voice and preprared piano
text by Natasza Goerke
(2004) - ca 16'
Unisono II
for voice, accordion and computer
(2003) – 9'
Unisono I
for voice, percussion and computer
(2003) – 6’
Nelumbo
for four marimbas
(2003) – 8’
Symphony No. 1
for orchestra
(2002) – 15’
Lentille
for string orchestra, voice and accordion
(2001) - 13’
commissioned by Warsaw Autumn Festival and Ernst von Siemens Musikstiftung
Re-Cycle
for five percussionists
(2001) – 16’
Parlando
for voice and computer
(2000) - ca 8’
Ludia i Fu
for guitar solo
(1999) – ca 6’
Edition Modran 2000
Meditations
for mixed choir
text by Jan Twardowski
(1999) – 5’
A Song about the End of the World
for voice, reciter and instrumental ensemble
text by Czesław Miłosz
(1998) – 10’
Three Miniatures
for piano
(1998) – 5’